Blues: Harpsichord, or Boston Massacre
We think of the Boston Massacre as the start of the American Revolution. In Jeffers’s hands, it becomes a moment to call out the hypocrisy of white colonists in comfortable circumstances who protested their “enslavement” by the British even as they held Blacks in bondage. The poem also reflects on the harsh realities of street protests and the continual sacrifice of Black men, including Crispus Attucks, a man of African and Native descent who was the first to fall at the Massacre. This piece was filmed in front of the Old State House in Boston, just across the street from where the Massacre took place in 1770.
In Context | Primary Sources | In Phillis’s Words | Artist Insights | Further Reading
In Context
Primary Sources
Links to documents and artifacts relating to the moment and events referenced in the poem.
In Phillis’s Words
Excerpts of Phillis Wheatley Peters’s writings that resonate thematically with Jeffers’s poems.
Artist Insights
“Reading Blues: Harpsichord, or, Boston Massacre made me emotional. I visualized every bit of it during our recording process and it hurt my heart. We walk through this world carrying so much of the residual pain of our ancestors and negotiating the systemic injustices that continue to this day. But the session also made me feel strong. How gorgeous we are. How much they have taken from us yet we survive, and we thrive.
These past weeks, our Indigenous community has been in collective grief with the confirmation of unmarked and mass graves of thousands of Indigenous babies and children. We all knew of these hidden truths but the reality has been most unbearable. We mourn our stolen and murdered, and those relatives who have survived incredible trauma. It is important in these times to remember and acknowledge our strength and our continuance, and to work fiercely toward making a better world for our children.”
– Tailinh Agoyo, Female Voice in Blues: Harpsichord, or, Boston Massacre
Further Reading
Links to additional resources.
- The Boston Massacre: A Family History by Serena Zabin
- The City-State of Boston by Mark Peterson
- Reflecting Attucks by Revolutionary Spaces
- My Eyes never beheld such a funeral by J.L. Bell
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